Portfolio

Lesley Finn’s Poltergeist Library showcases the uncanny plasticity of what is written in ink and sealed by bookplates in the archive stacks. Throughout the collection, texts and images are exposed to various deconstructions revealing their essential instabilities.

In a secret garden nestled in the Douglass Homes of Fell’s Point, Baltimore the rubble-scape draws inspiration from the elusive and transient nature of street art. What can human culture learn from the resilience of material products?

Like Home Movies, “history” itself is increasingly improvised by its actors, spilling forward entropically. It is written for us by retro-script, and adjudicated by embattled media networks whose narratives are validated by the accumulation of audiences.

An aesthetic exercise in space, this room is a live-in piece which evokes the soft memories of delicate fabrics and caretakers. A collage of generational and cultural materials, the space delicately suspends assorted ideas—complimentary and juxtaposed—in tension for the occupants.

…these electric instruments, in attempting to simulate acoustic instruments, become separate instruments to themselves, birthing new genres of expression and sliding into new idioms of sound and music. This same phenomena occurs whenever we alter our tools of expression.

The Terminal Post is a digital zine about the internet, it’s culture and our experience of it. Cold aesthetics with a twist of surrealism, it makes deeper sense of how the internet has affected our lives, society and consciousness. It’s 100% commodity free, influence free, social media free.

Designed as a servant’s quarters, this room is dedicated to workers across the ages and their many faces, domestic, corporate or otherwise.